
Uncle Phil, Boston Marathon, 1982

Phil Quilten(?), ?, Uncle Phil
May, 1941
Phil Quilten(?) killed in Guam in Navy
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Drumming in Abe Hey Basement
Uncle Phil, Aunt Mary, Johnny

As a boy, I wouldn't practice the piano, but took a few lessons from a woman in Dixon. After my junior year at Naperville, I worked at Electro Motive in LaGrange. Took some lessons. Saw a notice that a band wanted musicians in Mankato, Minnesota, so I went and stayed at the YMCA. I joined the 8-9 piece Don Strickland Band, and we rehearsed in a garage. Then we took a bus and went on the road. This was 1950. We played danceable music in ballrooms. Don had one band with two names: Don Strickland Orchestra and Nod Landstrick's Polka and Waltz Band. He booked the name depending on which music the customer wanted. I got bored pretty quickly playing polkas and waltzes, so I quit. I decided I'd quit playing music for a living, and I quit playing altogether after college.
My cousin Dean could play anything, and he played in a band with me for a while. The first time I heard Louis Armstrong was at the Crystal Palace in Michigan. We later heard Louis Armstrong play at the Blue Note in Chicago; I probably heard Louis Armstrong play 5-6 times. I heard drummer Sid Catlett playing for Louis, too. Once I went to hear Louis Armstrong at the Blue Note. And who was there? Cousins Dean and Jimmy and their wives. They had come to hear trombonist Jack Teagarden. I heard Rock Falls native and drummer Louie Bellson, husband of Pearl Bailey, on occasion.
My cousin Earl Webber was a self-taught drummer and played in a band. I heard them play, and Earl got me to playing with his band. Bill Worley played piano. We played a New Year's Eve party for the Walgreens, at their mansion on the Rock River in Dixon. I was only a teenager. We set up in a big room, but they were not ready for music yet. Mrs. Walgreen told us to go upstairs for a while. We finally played for about 45 minutes. Then it was time to eat, and she told us to get in line after the guests. We played no more music that night. It was 10:45. She paid us $20, we left and were home by midnight. Great money. A more typical gig would have paid about $8. We used Dad's 1940 Chevy, the same one we drove to Yellowstone.
We played for a lot of dances. Typical venues were at the American Legion or the Country Club. I got a really good job a the Rivoli, a restaurant in Aurora. We played light jazz, Wednesday, Friday, and Saturday, from 7-9 pm. Later, we'd kick it up for the bar. I played with Chuck Sagle of Universal Recording Studios who had a vocalist. She said I was too loud, and I lost that job.
I taught drums for a while after college at Stevensville, but I was moving steadily toward a career in athletics. We moved to Park Forest, and I sold my drums and never played again until I met Ida. We'd go up to Cal City, and I could sit in with the band at the Grapevine on Torrence Avenue. For my 70th birthday, Ida took me to a bakery next to a music store. She had it all planned, that I would pick out drums. Ida bought me the drums, and I started lessons. And that was how I got back into music. Now I have a set of vibes that I'm learning. (recollections by Phil Hey)
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Coach Hey:
Head Basketball Coach
La Crosse University

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